Recording

Trinity & Triage Released : Overlook Hotel Records

January 10, 2014September 29, 2020

Kevin Hartnell 15th century, 60s, 70's, alternative rock, deanna quijada, folk rock, indie rock, kevin hartnell, medieval music, overlook hotel records, progressive folk, psychedelic rock, ralph feetham, Trinity & Triage, trinity and triage, weird music

0 likes43 views4 min

Trinity & Triage released on Overlook Hotel Records After a little over two years of work, the first collection of songs by Trinity & Triage was released on Overlook Hotel Records on January 1, 2014. Described as a progressive folk meets psychedelic/indie rock band, the origins of T&T began with songwriter, Ralph Feetham (Islington, London). Feetham's unique style and sound on acoustic guitar drives a majority of the music behind this 11-song set. Trinity & Triage also features the exquisite vocal work of Deanna Quijada. The wide dynamic range of the material is the perfect playground for Quijada's vocal acrobatics.......

Gary Numan “Love Hurt Bleed” Remix Contest

January 7, 2014October 23, 2020

Kevin Hartnell contest, electro rock, electronic music, Gary Numan, love hurt bleed, overlook hotel records, remix, rodin coil

0 likes141 views1 min

Gary Numan "Love Hurt Bleed" Remix Contest Recently, Gary Numan judged a remix contest for his new song "Love Hurt Bleed." I entered a Rodin Coil remix for fun and enjoyed working with his original stem files which sounded fantastic. While not a winner (I had no expectations of such), I did get over 400 plays and some positive feedback. My mix could have been a lot better. I did slow it down and make it a bit heavier with a nasty vibe. There were some great entries and this is my favorite out of the remixes. Here is the......

The Origin and History of Overlook Hotel Records

January 7, 2014May 26, 2022

Kevin Hartnell 70's, Cambium, cincinnati, cold wave, dark ambient, dark wave, independent, indie rock, industrial, la notte, ohio, overlook hotel records, post-punk, record label, rock, rodin coil, room 237, sinistrad, the black drum, toxic web, Trinity & Triage, umbra

0 likes80 views6 min

The Origin and History of Overlook Hotel Records Back in 1999, I released a collection of recordings from my archives called "Room 237 (R237-001)" which became the very first release on Overlook Hotel Records. It is a small collection of early electronic compositions with one track featuring Todd Gerber (Dinah Shore Jr./Umlaut). Hardly any copies exist (they were made to give out to friends), but you may still be able to locate one at the main library branch in Cincinnati. I also recorded a collection of songs called La Notte - "La Notte De Cavelieri" (R237-002) with my friend Paul......

Toxic Web Is Released! New EP Available For Free Download.

October 4, 2013October 23, 2020

Kevin Hartnell coldwave, dark ambient, darkwave, deanna quijada, jason whitcomb, synthesizer, toxic web

0 likes26 views1 min

Toxic Web Is Released: October 4, 2013! I am proud to announce the release of the first EP by Toxic Web on Overlook Hotel Records. Jason and I have written a lot of music in the last couple of years. Some of it has been very dark, indeed. Fortunately for us, the inimitable Deanna Quijada embraced that very darkness and has delivered some fantastic writing and vocal contributions to form the Toxic Web project. Toxic Web isn't just another electronic music project. Some people argue that electronic music has no heart or soul. I beg to differ and present to......

The Origin Of How I Began Writing Electronic Music

August 15, 2013May 26, 2022

Kevin Hartnell composers, electronic music, film music, film scores, history, influences, inspiration, music composition, origins, soundtracks, synthesizers

0 likes30 views11 min

The Origin Of How I began Writing Electronic Music To explain the origin of my own electronic music, I have to look back at horror films and television programs. As far back as I can remember, I have enjoyed electronic music and film scores and even aspired to writing scores for movies (a guy can dream, right?). While I prefer film scores that use electronic compositions or any hybrid which incorporates synthesizers with rock or classic orchestration, my interest in music with synthesizers/electronic music is very diverse. I've said it before and I will say it again. Synthesizers, to my......

Subscribe

Stay In Touch