”…riff-driven slab of somber doom, dense grooves with rhythmic enchantments, and detonating drum play.” – Dragon (Metal Nexus)
The new album “Death Will Flee” from wytCHORd is loaded with heavy riffs and the powerful vocals of Vince Green (THAL) who sounds like the offspring of Neil Fallon and Glen Danzig. In addition to his vocal work on the album, Vince Green and fellow guitarist David Jones (Black Mountain Creeper) deliver crushing fuzz-laded grooves driven home by hard-hitting drummer Kevin Hartnell (Trinity & Triage). Fans of bands like Black Sabbath, Clutch, Kyuss, and Queens of the Stone Age are sure to find something on “Death Will Flee” to embrace!
wytCHord is: Vince Green · Vocals, Rhythm Guitar, Lyrics | David Jones · Rhythm & Lead Guitar | Kevin Hartnell · Drums – Formed in 2016 – For bookings, interviews, promos, or additional questions, please email firstname.lastname@example.org.
wytCHord, a new doom metal project has been in the works and is finally nearing a release date. The new project features Vince Green (THAL), David Jones (Black Mountain Creeper), and myself. I began tracking drums back in March and had a great time laying down the grooves to the excellent songs Vince and David brought in! Fans of heavy riffs should smash the link button and visit Metal Nexus where they are featuring a brand new track exclusively! Listen to “The Queen They Left To Die” and drop by to like the wytCHord Facebook page. Let us know what you think!
The latest horror story from Campfire Radio Theater is called “Night Delivery” and is set in the 80s. The story centers around a radio station, a rookie late-night DJ, a mysterious woman in red, and some devilish music! It was a wonderful challenge to assemble music for the story drawing from the archives of Overlook Hotel Records and creating new music. Quite a bit of the music written for the show was played backwards to fit the theme of backmasking. A couple of the tracks used in the story were written by friends of mine that I also played on. Pieces of the tracks were used with their kind permission. Special thanks is due to Andrew May, Joe Bartoldus, Mike Chambers, and Mat Williams!
I also auditioned for the laugh of Satan and landed the part. John Scott Ballentine said he wasn’t interested in the stereotypical hyped-up laughter so common in horror films and the like. Instead, he wanted more of a Pink Floyd “Brain Damage” approach that is rich with madness. Rumor has it that the laughter on Pink Floyd’s “Brain Damage” was actually Peter Watts, a road manager for the band at the time. So, John wanted crazy and I have that in spades!
You can also hear me playing the part of a “man on the street” being asked about the location of “Snake Eye Records.” John included some goofy outtakes at the end of the show which are pretty entertaining! If you like horror stories and quality entertainment, then the Campfire Radio Theater podcast is worth checking out. If you are also a fan of 80s rock or maybe you grew up in the 80s, you may find added entertainment value for your pleasure with this particular story. Give it a listen!
Hear are a couple of tracks heard in the show.
“Unless Until” is a beautiful, slow balled written by Mike Chambers and Andrew May.
“Drones” is by The Three Minstrels (featuring Andrew May, Joe Bartoldus, and myself).
That’s the news for today! I hope everyone has a great week!
Trinity & Triage Release New Track – “Travel By Whale”
“Travel By Whale” is the first new track to be released by Trinity & Triage since the debut self-titled album in 2014. The band has widely been labeled as a “progressive folk” trio. Trinity & Triage has also been embraced by the Prog Rock community and continues to pop up around the web on various blogs, forums, and music sites. The Overlook Hotel Records studio remains to be rebuilt, so progress on the new album has been slow. The good news is that things should pick up quickly this summer. Another positive note is that quite a bit of new material was already recorded and is in various stages of development.
In the interim, Deanna continues painting and working on various art projects, Ralph has recorded a large number of tracks as potential candidates for future Trinity & Triage songs, and I have been taking care of a baby boy who is now eight months old. I also have a studio to build this summer.
Having said all that, please have a listen to the new song and let us know what you think. We would love to hear from you.
Overlook Hotel Records
Trinity & Triage is:
Deanna Quijada · Vocals
Ralph Feetham · Guitars, Bass, Synths
Kevin Hartnell · Drums, Bass, Synths
Back in 1999, I released a collection of recordings from my archives called “Room 237 (R237-001)” which became the very first release on Overlook Hotel Records. It is a small collection of early electronic compositions with one track featuring Todd Gerber (Dinah Shore Jr./Umlaut). Hardly any copies exist (they were made to give out to friends), but you may still be able to locate one at the main library branch in Cincinnati. I also recorded a collection of songs called La Notte – “La Notte De Cavelieri” (R237-002) with my friend Paul Ash (Unto Ashes, Night Gallery). For this release, we burned all of the CDs, printed the artwork, and also did our own cassette duplication. Despite being a complete DIY project recorded with two microphones in a small room, the recording did well and feedback was very positive. There are probably still quite a few old copies of La Notte floating around the planet. These recordings mark the beginning of Overlook Hotel Records.
Room 237 – “Rain & Shadows” (with Todd Gerber)
Shortly after these were released, I began working on the dark ambient Umbra project (R237-004). It was released on Overlook Hotel Records as well as mp3.com before they were purchased by Vivendi Universal. I recently reissued it on bandcamp along with the “Umbra: The Dusk Single” (R237-003) which features various percussion backing electronic music. Music from the Umbra release was licensed to use in a film called “Jigsaw” in 2002 and has turned up in some strange places all over the internet and elsewhere.
Over the next seven years, I spent time playing a lot of gigs, working on the road, working/recording with various bands, and writing my own music sporadically. It wasn’t until 2006 that I released anything of my own. Back in 1995 I had begun playing and studying various percussion instruments, so the next release came in the form of an experiment in home-recording of the aforementioned drums. The Black Drum – “Rakshasa” (R237-005) was released on August 11, 2006. While the results of the recording were not very good, many mistakes were made which proved to be quite educational. I learned that I should focus on what I do best and what I love to do the most – and this project was about as far from that as I could get. Tracks were used for live performances by dance troupes, instructional videos, a documentary, and youtube videos. After a couple of pressings, the project was pulled out of circulation and remains out of print.
During this time and over the course of the next 4-5 years, I continued working on the road while performing and recording with other bands. I needed a major change. This inadvertently came about in 2008 when I became seriously ill…at the same time that my wife was pregnant…on her birthday. These life-changing events worked as a catalyst to kick me into overdrive in regards to working on my own music. This also included studying production, music composition, audio engineering, and working on music with like-minded musicians. From 2010-2013, a huge amount of material was written and recorded. The first project out of the gate was Cambium – “Let’s Send A Signal” (R237-006). With a blend of rock, post-punk, dark-wave, and indie rock influences, Cambium’s “Let Send A Signal” is a very diverse collection of songs.
Cambium was released on April 22, 2013 through Bandcamp and marked the beginning of a new era for Overlook Hotel Records now no longer limited to solo works. Around this time, I also organized and produced an independent collection of original songs created as a tribute to Gary Numan called “The Replicon Project.” Some of the artists involved with Cambium also appeared on the tribute.
The next release from Overlook Hotel Records came in the form of an EP of music by Toxic Web, a mix of electronic rock, darkwave, and dark ambient influences.
The Toxic Web – “I” EP (R237-007) was released on Bandcamp on October 4, 2013. Deanna Quijada, who I consider the undocumented love-child of Kate Bush, Yma Sumac, and Nena Hagen, is featured on some stunning vocal work. As much as I love the title track, I feel that her vocal performance on “My Hands Are Blue” is absolutely fiendish and beautiful. Jason Whitcomb is responsible for the majority of the synth wizardry heard on this 4-track EP as well as sharing vocal and songwriting duties.
The latest release from Overlook Hotel Records is the self-titled Trinity & Triage (R237-008). Released on January 1, 2014, it is a female-fronted, progressive-folk meets psychedelic indie rock while visiting the 70s sound unlike anything else you have ever heard.
Trinity & Triage contains a very interesting assemblage of instruments used to create the unique sound on this collection of recordings. Traditional instrumentation such as acoustic and electric guitars, bass guitar, drum kit, B3, and vocals are combined with Mellotron, clavichord, harmonium, sitar, and a colorful assortment of percussion instruments. “All At Sea” is a good example of many of the aforementioned items.
Upcoming releases on the way…
Rodin Coil is a solo project I have been working on for some time now. Songs are in various stages of development and slowly making progress in between juggling production duties for various other projects.
*artwork has not been finalized*
Sinistrad is a dark ambient/post-industrial project with Jason Whitcomb currently in the writing process. Expect music that should only be played in the dark.
*artwork has not been finalized*
Also in the works is a solo album from Vic Bonat, a new project from Mike Chambers (dreampop / indie rock), and various other releases currently in development at this time. If you enjoy the music from Overlook Hotel Records, be sure to stop by our Facebook page as well as each band project page and hit the “like” button. I look forward to sharing our music with you.
Vic, Jason, Mike, Mat, and I spent a year writing, recording, mixing, and throwing hammers around in a grand effort to bring you something special! Do you like your rock with synths? Perhaps you prefer your synths with guitars. Maybe you are like me and enjoy a very diverse array of musical styles, sometimes across the same album, or maybe even throughout the course of the same song.
What does it sound like? I’ve heard “future retro” thrown out there, but I have no idea what that means! Press the play button below and decide for yourself. Please share our link, “like” us on Facebook, follow our Twitter account, and enjoy some new music from Cambium!