Campfire Radio Theater: “Whispers From Hell”

Whispers From Hell Artwork

Campfire Radio Theater: “Whispers From Hell”

The latest installment of Campfire Radio Theater has arrived just in time for your Halloween entertainment! “Whispers From Hell” is an entertaining and scary story sure to please fans of the horror genre. As much as I enjoy writing music for horror stories, the ending for this particular episode was great fun to compose! Talk about anxiety-inducing intensity. Sheesh! I have been writing music for the show for around a year and a half now and continue to enjoy the process greatly. Now that the work of rebuilding my home studio has begun, my excitement is growing even more!

If you have a moment or two spare, please have a listen! I highly recommend listening in the dark with headphones for optimum enjoyment!

Speaking of writing music, I will be releasing a collection of music written for Campfire Radio Theater. It will be a fundraiser with all earnings going directly to Campfire Radio Theater to help fun additional episodes and pay for hosting costs. There are 41 tracks with two “hidden” tracks not found anywhere else included in the download as a thank you to supporters of Campfire Radio Theater. Tracks from “RIP” (parts 1 and 2), “Whispers From Hell,” “Night Delivery,” and “The Ghosts of Flannan Lighthouse” are represented in the collection. More soon!

Thanks for listening! Halloween is right around the corner…waiting…in the dark!
Kev

Campfire Radio Theater: “Night Delivery”

Night_Delivery_Artwork

Campfire Radio Theater: “Night Delivery”

The latest horror story from Campfire Radio Theater is called “Night Delivery” and is set in the 80s. The story centers around a radio station, a rookie late-night DJ, a mysterious woman in red, and some devilish music! It was a wonderful challenge to assemble music for the story drawing from the archives of Overlook Hotel Records and creating new music. Quite a bit of the music written for the show was played backwards to fit the theme of backmasking. A couple of the tracks used in the story were written by friends of mine that I also played on. Pieces of the tracks were used with their kind permission. Special thanks is due to Andrew May, Joe Bartoldus, Mike Chambers, and Mat Williams!

I also auditioned for the laugh of Satan and landed the part. John Scott Ballentine said he wasn’t interested in the stereotypical hyped-up laughter so common in horror films and the like. Instead, he wanted more of a Pink Floyd “Brain Damage” approach that is rich with madness. Rumor has it that the laughter on Pink Floyd’s “Brain Damage” was actually Peter Watts, a road manager for the band at the time. So, John wanted crazy and I have that in spades!

You can also hear me playing the part of a “man on the street” being asked about the location of “Snake Eye Records.” John included some goofy outtakes at the end of the show which are pretty entertaining! If you like horror stories and quality entertainment, then the Campfire Radio Theater podcast is worth checking out. If you are also a fan of 80s rock or maybe you grew up in the 80s, you may find added entertainment value for your pleasure with this particular story. Give it a listen!

Hear are a couple of tracks heard in the show.

“Unless Until” is a beautiful, slow balled written by Mike Chambers and Andrew May.

“Drones” is by The Three Minstrels (featuring Andrew May, Joe Bartoldus, and myself).

That’s the news for today! I hope everyone has a great week!

Kev

Campfire Radio Theater: Audio Drama For Halloween!

 

Happy Halloween!Campfire Radio Theater: Audio Drama For Your Halloween Listening Pleasure!

Happy Halloween, everyone! I’ve been a fan of audio drama since I was a child. I recall sitting in the car with my dad, parked in the driveway, listening to the conclusion of an episode of CBS Radio Mystery Theater. The sound of the creaking door, the voice of E.G. Marshall, and the possibility of stories about ghosts and monsters had me hooked. If you aren’t familiar with the series, you can stream audio of almost 1,400 episodes at http://www.cbsrmt.com/.

Another favorite series of mine is the infamous “Nightfall” series from the CBC. It aired in the early 80s and scared the hell out of quite a few people. With some incredible performances of classic stories, modern horror, and filled with gruesome sound effects and excellent music, “Nightfall” became a modern classic that remains extremely popular amongst fans of audio drama horror. You can stream the entire series of 100 episodes just below. I highly recommend “The Debt,” “The Porch Light,” “Angel’s Kiss,” and “All-Niter” for starters. Keep in mind that this series is NSFW and is NOT child-friendly as it is actually quite scary in some cases with implied violence, gore, and a smattering of profanity. In my opinion, it is the greatest audio drama series made to date. But don’t take my word for it. Have a listen!

Audio drama and old horror films inspired me to compose dark ambient music. Some of the scores and library music used in these programs were fantastic! Shortly after I began composing dark ambient works, I was contacted by a film director who licensed tracks for a horror film. Another piece of good fortune popped up when I was contacted by a radio station that requested a copy of my music for airplay. How often does that happen? I was shocked and thrilled!

Years back, I contributed music to “Tomes of Terror,” a Post-Meridian Radio Players series produced by Neil Marsh. Neil and I are quite possibly the biggest fans of “Nightfall” that you can find. He is also a very talented musician. I would provide a link for listening, but I can’t locate anything online at this time. I will update the page if links turn up.

Fast forward quite a few years later where I found a great audio horror series called “Campfire Audio Theater” created by John Scott Ballentine. John is also a fan of the “Nightfall” series and mentions it as one of the inspirations for his series. You can read about the origins of the show here: http://campfireradiotheater.podbean.com/p/about/

John is also a fellow audio mixing maniac. He has a great talent for creating inspired audio drama. I have listened to an estimated 12-13 thousand audio plays in my lifetime, and in my opinion, Mr. Ballentine ranks right up there with some of the best writers/producers. Now you must be thinking after hearing such high praise…”Oh really? Well then, let’s hear what he has to offer!” Can do! The episode that inspired me to contact him about getting involved with the series is called “Twilight Road.” For fans of horror, I sincerely believe you will enjoy this story. Have a listen!
“Twilight Road”

After contacting John, I sent over a “promo reel” containing some of my work. This led to contributing original music to the last couple of episodes. The first is called “The Philadelphia Xperiment.” The program description reads “Confined to a mental ward in 1951 and awaiting his impending lobotomy, an enigmatic WW2 veteran known only as Patient X recalls an ill-fated experiment to render a U.S. warship invisible resulting in nightmarish side effects for the survivors as well as uncovering a mind-bending temporal terror.” You can hear it below.
“The Philadelphia Xperiment”

Next up is a twisted take on the tale of Jack the Ripper featuring some impressive vocal talent and yet another one of John’s great mixes. It was great fun scoring new music for this episode and a wonderful exercise in composition for me. To top it off, John has the ear of a musician and weaves the pieces together into a powerful audio collage that compliments the story quite well. You can hear both parts below.

“RIP” (part 1)


“RIP” (part 2)

If you enjoy what you have heard, you can “like” and follow Campfire Audio Theater on Facebook at: https://www.facebook.com/pages/Campfire-Radio-Theater/206353409376944

So, in closing, thanks to Neil and John and here is hoping I’ve filled your ears with fear and that you have a Happy Halloween!

p.s. Here is an audio outtake from “RIP” that is my interpretation of the song “A Violet From Mother’s Grave” which was allegedly sung by Mary Kelly on the night of her death.