The Sounds of Nightmares: Music Composed For Campfire Radio Theater
For about the last year and a half, I have been writing music for a podcast. What the hell is a podcast? Aside from a silly word, Wikipedia says ”A podcast is a form of digital media that consists of a series of audio or digital radio episodes, subscribed to, and downloaded through web syndication or streamed online to a computer or mobile device. The word is a portmanteau of “(i)Pod” and “broadcast.”‘ Essentially, it generally seems to be, an mp3, you see, and most of the time, available for free. You can find every kind of podcast imaginable. From Politics to Religion, Sports to Sex, and even one of my favorite topics, Audio Drama! More specifically, horror, science fiction, and fantasy stories are my cup of tea.
So, back to my point. I have been composing music for a horror anthology series podcast called “Campfire Radio Theater.” If you read this site then you may have already heard me mention this series. Both John and I are big fans of the classic CBC horror series called “Nightfall,” so it was easy to be on the same page as far as music, sound design, and production. John is a very talented audio drama producer. I became a fan of “Campfire Radio Theater” immediately after hearing the show. In fact, one of my favorite audio dramas of all-time is “Twilight Road” from the series.
The entire album is streaming for free at Bandcamp. I made the release a fund raiser for Campfire Radio Theater. I was a fan before I began working on the show, so this was another way I could support CRT. If you choose to download the collection, it’s a mere $5 (or pay more if you like). All proceeds go directly to Campfire Radio Theater to support the creation of more episodes and cover hosting costs.
With World Audio Drama Day and Halloween rapidly approaching, this is a great time to immerse yourself into a good scary story and give yourself the creeps! Thank you for taking the time to listen! It is greatly appreciated. Please share the music and links with anyone you know that might enjoy them. :)
Back in 1999, I released a collection of recordings from my archives called “Room 237 (R237-001)” which became the very first release on Overlook Hotel Records. It is a small collection of early electronic compositions with one track featuring Todd Gerber (Dinah Shore Jr./Umlaut). Hardly any copies exist (they were made to give out to friends), but you may still be able to locate one at the main library branch in Cincinnati. I also recorded a collection of songs called La Notte – “La Notte De Cavelieri” (R237-002) with my friend Paul Ash (Unto Ashes, Night Gallery). For this release, we burned all of the CDs, printed the artwork, and also did our own cassette duplication. Despite being a complete DIY project recorded with two microphones in a small room, the recording did well and feedback was very positive. There are probably still quite a few old copies of La Notte floating around the planet. These recordings mark the beginning of Overlook Hotel Records.
Room 237 – “Rain & Shadows” (with Todd Gerber)
Shortly after these were released, I began working on the dark ambient Umbra project (R237-004). It was released on Overlook Hotel Records as well as mp3.com before they were purchased by Vivendi Universal. I recently reissued it on bandcamp along with the “Umbra: The Dusk Single” (R237-003) which features various percussion backing electronic music. Music from the Umbra release was licensed to use in a film called “Jigsaw” in 2002 and has turned up in some strange places all over the internet and elsewhere.
Over the next seven years, I spent time playing a lot of gigs, working on the road, working/recording with various bands, and writing my own music sporadically. It wasn’t until 2006 that I released anything of my own. Back in 1995 I had begun playing and studying various percussion instruments, so the next release came in the form of an experiment in home-recording of the aforementioned drums. The Black Drum – “Rakshasa” (R237-005) was released on August 11, 2006. While the results of the recording were not very good, many mistakes were made which proved to be quite educational. I learned that I should focus on what I do best and what I love to do the most – and this project was about as far from that as I could get. Tracks were used for live performances by dance troupes, instructional videos, a documentary, and youtube videos. After a couple of pressings, the project was pulled out of circulation and remains out of print.
During this time and over the course of the next 4-5 years, I continued working on the road while performing and recording with other bands. I needed a major change. This inadvertently came about in 2008 when I became seriously ill…at the same time that my wife was pregnant…on her birthday. These life-changing events worked as a catalyst to kick me into overdrive in regards to working on my own music. This also included studying production, music composition, audio engineering, and working on music with like-minded musicians. From 2010-2013, a huge amount of material was written and recorded. The first project out of the gate was Cambium – “Let’s Send A Signal” (R237-006). With a blend of rock, post-punk, dark-wave, and indie rock influences, Cambium’s “Let Send A Signal” is a very diverse collection of songs.
Cambium was released on April 22, 2013 through Bandcamp and marked the beginning of a new era for Overlook Hotel Records now no longer limited to solo works. Around this time, I also organized and produced an independent collection of original songs created as a tribute to Gary Numan called “The Replicon Project.” Some of the artists involved with Cambium also appeared on the tribute.
The next release from Overlook Hotel Records came in the form of an EP of music by Toxic Web, a mix of electronic rock, darkwave, and dark ambient influences.
The Toxic Web – “I” EP (R237-007) was released on Bandcamp on October 4, 2013. Deanna Quijada, who I consider the undocumented love-child of Kate Bush, Yma Sumac, and Nena Hagen, is featured on some stunning vocal work. As much as I love the title track, I feel that her vocal performance on “My Hands Are Blue” is absolutely fiendish and beautiful. Jason Whitcomb is responsible for the majority of the synth wizardry heard on this 4-track EP as well as sharing vocal and songwriting duties.
The latest release from Overlook Hotel Records is the self-titled Trinity & Triage (R237-008). Released on January 1, 2014, it is a female-fronted, progressive-folk meets psychedelic indie rock while visiting the 70s sound unlike anything else you have ever heard.
Trinity & Triage contains a very interesting assemblage of instruments used to create the unique sound on this collection of recordings. Traditional instrumentation such as acoustic and electric guitars, bass guitar, drum kit, B3, and vocals are combined with Mellotron, clavichord, harmonium, sitar, and a colorful assortment of percussion instruments. “All At Sea” is a good example of many of the aforementioned items.
Upcoming releases on the way…
Rodin Coil is a solo project I have been working on for some time now. Songs are in various stages of development and slowly making progress in between juggling production duties for various other projects.
*artwork has not been finalized*
Sinistrad is a dark ambient/post-industrial project with Jason Whitcomb currently in the writing process. Expect music that should only be played in the dark.
*artwork has not been finalized*
Also in the works is a solo album from Vic Bonat, a new project from Mike Chambers (dreampop / indie rock), and various other releases currently in development at this time. If you enjoy the music from Overlook Hotel Records, be sure to stop by our Facebook page as well as each band project page and hit the “like” button. I look forward to sharing our music with you.
I have just re-issued my Umbra project from Overlook Hotel Records on BandCamp, which is a collection of ambient and dark ambient compositions. Umbra was born back in the late 90’s and was greatly inspired by my love of horror and science fiction film scores. There are no drums on this release. Some of the music may make you feel calm and relaxed while other tracks may simply give you the creeps. Some of the music was licensed for a film years back. While I don’t write as much ambient music as I used to, there is certainly more in the works.
I have also released The Dusk Single which has two of my more popular ambient tracks with percussion. These were written quite a long time ago but seem to have legs and show up in the strangest places on the web.