Trinity-and-Triage-Banner_with_logo_outline-620x114Trinity & Triage released on Overlook Hotel Records

After a little over two years of work, the first collection of songs by Trinity & Triage was released on Overlook Hotel Records on January 1, 2014. Described as a progressive folk meets psychedelic/indie rock band, the origins of T&T began with songwriter, Ralph Feetham (Islington, London). Feetham’s unique style and sound on acoustic guitar drives a majority of the music behind this 11-song set.

Trinity & Triage also features the exquisite vocal work of Deanna Quijada. The wide dynamic range of the material is the perfect playground for Quijada’s vocal acrobatics. The first track on the collection is appropriately titled “Surreal.” “Surreal” hints at 60s and 70s rock with a modern sensibility. The track brings to mind bands like Badfinger and The Strawbs if fronted by the love child of Kate Bush, Yma Sumac, Diamanda Galas, and Nena Hagen.

For fans of Deanna Quijada’s cover art, here is the original painting.

Trinity & Triage painting by Deanna Quijada ©2014

©2014 Deanna Quijada

Trinity & Triage contains a very interesting assemblage of instruments used to create the unique sound on this collection of recordings. Traditional instrumentation such as acoustic and electric guitars, bass guitar, drum kit, B3, and vocals are combined with Mellotron, clavichord, harmonium, sitar, and a colorful assortment of percussion instruments. “All At Sea” is a good example of many of the aforementioned items.

Trinity-and-Triage-Logo_medium“We Won’t Say Goodbye” features Feetham’s tasty acoustic guitar work blended with B3, clavichord, Mellotron, and beautiful vocal harmonies. The dream-like ending leaves you reeling in nostalgia, introspection, longing, and hopeful that you will wake up with another chance to take in the warm rays of the sun.

Trinity-and-Triage-Logo_mediumThe self-titled collection of songs also reveals a heavier side. Songs like “Cathedral” and “Those Who Leave” hint at shades of Deep Purple meets Gang Of Four.

“Three Sisters,” like “All At Sea,” draws from traditional folk music influences, yet with a unique approach that is all Trinity & Triage.

Three were the sisters
And he wanted one for his bride
The one who was pretty
As ever, did first catch his eye

So she was
A beautiful sight
But a jungle-cat
So gold were her eyes
They scared him…
So he passed her by

The next wasn’t pretty
But he liked the way she did smile
Like a surrender
And bended her hands like a child
But he wasn’t certain she was the best to be
When he closed that door, he bolted it tightly

Like the deepest, darkest water
Number three, a veil covered
Did he swoon with love?
Does rise the sun?
How he loved the one
Sweet as a sad song

Three were the sisters,
But only were two who did want him
One for his riches
The other, just ‘cause he’d arrived
But Melancholia could not so abide
She closed the door, and turned out the light

(Open, give me what I like)
Are we alone here?
(Fall in love)
Echoes to be
Each to pass by
Are we alone here?
(I’ll be alone)
Are we alone here?

Work on the first official video for “Surreal” from Trinity & Triage is currently underway. More on that later.

Trinity-&-Triage
Download the whole album for free from bandcamp here: http://trinityandtriage.bandcamp.com/

If you didn’t get enough T&T music, here is the single of “December’s Song” from Soundcloud. “December’s Song” was lyrically reconstructed based on one of the Boar’s Head Carols, “Tydynges I Bryng 3ow For to Tell,” author unknown. This obscure poem was discovered in a minstrel’s notebook from the 15th century, and no musical form of the carol has survived into modern times. It has been re-imagined by Trinity & Triage.

…and here is an exclusive you won’t find anywhere else.  Every song from the Trinity & Triage album…all at once!

Thanks for listening! Keep sharing the music and links!
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